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This research examines the influence of the Russian avant-garde on post-war Soviet design, challenging perceptions of Soviet art as mere propaganda. It investigates the transition of design ideas from avant-garde to socialist objects, providing insights into the evolution of visual culture in Europe.
Russian/Soviet avant-garde of the 1920s is broadly recognized to have been an integral part of the European avant-garde and Russia’s first truly original contribution to world culture.
In contrast, Soviet art and design of the post-war period is often dismissed by general public as propaganda, hack-work and shameful plagiarism that resulted in a uniform and shabby world of commodities.
Thanks to a growing body of scholarship on Soviet design, as well as to a recent work of enthusiastic Russian c…
AARHUS UNIVERSITET
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