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METROMOD reinterprets modern art history through the lens of migration and urbanization, focusing on the first half of the 20th century. It examines the impact of exiled artists in global cities and their contributions to transcultural art production.
Breaking new ground, METROMOD proposes a rewriting of modern art history as a history of global interconnections, spurred by migration movements and rooted in cities.
Revising the historiography of modern art, which still continues to be dominated by the hegemonic and normative narratives of (Western) European Modernism and ignores the significance of exile movements, METROMOD conceptualizes art history as a result of interrelations and negotiations in global contact zones, unstable flows, trans…
LUDWIG-MAXIMILIANS-UNIVERSITAET MUENCHEN
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