CORDIS Project
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This project explores the intersection of musical improvisation and politics, focusing on how the concept of 'non-idiomatic' music may perpetuate exclusion within the genre. It examines the experiences of musicians from former Dutch colonies in the Netherlands, analyzing their negotiation of cultural identity and music…
In the course of the 20th century, musical improvisation became strongly associated with emancipatory politics, as expressive freedom in music symbolised forms of societal, cultural, and political freedom more generally.
In the 1960s, European improvisers distinguished their 'free improvisation' from jazz and other improvisatory music by calling it 'non-idiomatic', i.e. not drawing on previously existing musical styles.
Although the genre of free improvisation has formed a unique space of transn…
UNIVERSITEIT UTRECHT
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