CORDIS Project
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This project investigates the influence of early electro-acoustic technologies, such as radio and sound film, on political power dynamics in the 1930s. It explores how these technologies shaped public perception and community engagement through sound, analyzing their ethical implications and psycho-acoustic aspects.
The relationship between electro-acoustic technologies and political power around 1930 has been a matter of much debate in contemporary scholarship. A large part of existing research defines radio and talkies as repressive instruments, imposed by the Nazi and Soviet dictatorship with the purpose of assembling far- reaching surveillance structures.
Conversely other researchers increasingly see repressive regimes as rooted in scientific inventions in the field of telecommunications.
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