CORDIS Project
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This project proposes a new approach to music theory that focuses on the evolution of musical styles over time. By analyzing a large corpus of works from 1680 to 1819, it aims to uncover the processes of change and the factors influencing musical development.
This proposal argues for a quantum shift in the way we theorize about music.
In the past three decades, music theory has been dominated by synchronic theories based upon typologies.
The value of these theories notwithstanding, there are three significant “blindspots” that arise from a purely synchronic perspective.
First, synchronic approaches are incapable of explaining trends – they at best capture “snapshots” along a timeline, but cannot explain processes: how one snapshot progressed to anoth…
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