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ARAMUS explores the role of diagrams in music theory across cultural boundaries, focusing on al-Farabi's influential work from the 10th century. The project compares Arabic musical diagrams with those from Latin and Greek traditions to highlight cross-cultural exchanges in scientific thought.
This project examines how diagrams served as vehicles of intellectual exchange across premodern disciplinary and linguistic boundaries.
Music theorists have long relied on diagrams to make abstract sonic concepts visible and graspable.
The project takes as its point of departure al-Farabi’s Great Book of Music (Baghdad, 10th century), the most influential treatise of the medieval Arabic tradition.
Drawing on media and manuscript studies, it pursues two comparative strategies to trace both the di…
UNIVERSITY OF HAMBURG
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